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Wrapping story around horrific events disseminates their skeletal outlines into bite-sized pieces for readers’ assimilation and learning.

 

Such an event occurred the night of January 30, 1945, during a freezing snowstorm upon the Baltic Sea. The Soviet submarine S-13 torpedoed the German transport ship, the MV Wilhelm Gustloff, nine hours into its passage. On board were 10,000 refugees fleeing from the Russian and Allied offensive. Only one thousand survived.

For three years the author Ruta Sepetys, the daughter of a Lithuanian refugee from World War II, researched this disaster until, in her imagination, Salt to the Sea (2016) was conceived. The story unfolds, piecemeal, through four characters: Joanna, a twenty-one-year old Lithuanian nurse; Florian, a seventeen-year old East Prussian preservationist and restorer of works of art; Emilia fifteen-years old, Polish and eight months pregnant; and Alfred, a seventeen-year old delusional German seaman assigned to the Wilhelm Gustloff.

Like a skilled minimalist painter, Sepetys reveals more by what she leaves out. Her precise words have dropped depth charges upon this reader’s psyche, its rumble evoking a slow burn and profound feelings for the characters.

Salt to the Sea, an historical novel, also leaves me with questions. In seventy years, will anyone be writing of today’s refugees caught within the crosshairs of greedy global politics? Since when has it been all right to minimize the losses of the poor, even their lives?

All of this cries out to God.

 

 

 

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It was late August, time for Mother’s jelly making for our winters during the war years. From a farmer’s stall in the country, Dad had already lugged baskets of purple grapes into the hot kitchen and placed them in the sink for the first washing. All was ready.

Perspiration glistening on her cheeks, her brow taut, Mother set to work. With gloved-hands she pulled grapes from their woody stems, rinsed them under the faucet, then plunked them into steel pots filled with water upon the counter. Next came hours of simmering the bubbling grapes over low burners. At intervals, she stirred them with a long-handled spoon between sips of ice water. Next came cups of sugar and more stirring. From the living room came strains of symphonies from the Capehart. Toward mid-afternoon, Mother poured the sticky mass through cheesecloth, hooked to the top of a tripod, and watched the gummy sweetness drip into the pot below.

That evening saw jars of grape jelly, sealed with paraffin wax, lining the pantry shelf. Her work finished, her splotched apron resembled the regal pastiche of a preschooler, her housedress soaked with perspiration.

The pungent aroma seeped into the breakfast room where I was sitting with the funnies from the St. Louis Globe-Democrat. Already, I was enjoying the sweetness of Mother’s grape jelly on warm buttered toast before walking to school.

With this blog, I honor our Mother’s courage in maintaining the semblance of normalcy in our home, all the while dreading Dad’s eligibility for the draft and becoming cannon fodder. That did not happen.

 

Imagine the terror of a ten-year-old boy suddenly facing the nozzle of a submachine gun held by an SS soldier, after having been slammed against the courtyard wall with its butt. It was Jo Joffo, waiting for his older brother on the Rue de Russie in Nazi-occupied Nice, France. It was summer, 1942. For over a month nasty inspectors interrogated him and his brother at the Excelsior Hotel until they were finally released. This experience ripped Jo Joffo from his childhood with its games of marbles and jacks, with ringing doorbells and other pranks.

This boy would later become a French author whose 1974 memoir A Bag of Marbles narrates this gripping flight to freedom, a hair-breath away from the enemy. So deep was the memoir’s appeal that it was translated into eighteen languages.

Such stories of survival still speak. From a safe distance, we observe and learn from others who have suffered heart-wrenching losses and survived murderous occupations of their countries. Yet, our times are not that different. Subtle forms of “occupation” still abound: social media, fake news, and addictive substances that manipulate attitudes, thoughts, and choices and keep spirits in bondage to Evil. Indeed, Jesus cautions us whenever we step outside our homes: “Be like sheep among wolves, cunning as serpents and yet as harmless as doves.” (Mt. 10:16)

The Plaza Frontenac Theater in St. Louis, Missouri, is currently showing the second film adaption of this memoir A Bag of Marbles; Christian Duguy directed it with English sub-titles.

Available on Amazon

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