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Tell me, what is it you plan to do
With your one wild and precious life?
The concluding question of Mary Oliver’s short poem, “The Summer Day,” prompts another response. Viewing my life as one wild and precious deepens with the lessening of the denial of my terminal illness: one, in the sense of being unique; wild, in the sense of dreams for fresh learning; and precious, in the sense of God’s unconditional love for me.
Many significant teachers, past and present, have helped me to this self-knowledge, in union with their own participation in the Sacred. This new learning engages this summer day and sets it aglow, unlike any other day that I’ll ever have. Even the poem’s title, “The Summer Day” emphasizes the primacy of the present moment. Note Oliver’s use of the adjective, “The,” in place of “a”—It’s not just any old day. Each day bears its own fruit, with its deepening commitment. Despite still much to learn, I no longer dwell upon the length of days allotted me.
So, the challenge to the able-bodied and the chronically ill prickles under the skin: No day is to be wasted for the build-up of the Kingdom of God. Our world depends upon it.
Even in the face of daily shootings and consequent mayhem, Mary Oliver offers spirit-support through her poems, “The Summer Day,” being among them.
It was 7:20 A.M., and again an engaging dream wanted my recall—most unusual because long weeks have passed with no dream stories that glimpse the milieu of my psyche, no cues that still needed work for my transition. This morning’s glimpse goes like this:
I’ve traveled to the Southwest for the weekend gathering of artists, their handcrafted ware displayed beneath tents in a grassy meadow. Adjacent to this area are classes offered in the crafting of the displayed articles: weaving, pottery, cooking, leather working, jewelry, especially turquoise, drawing and painting. I join the hundreds moving slowly among the exhibits. I’m itching to try something new and find myself welcomed by the weaver, a Native American with strong knowing hands. The final evening, she informs the students which of their works they can take with them.
In my perception, the Southwest represents a centuries-old world of warmth, intimate with nature: like an incubator, it served its primitive people with rich imaginations who storied their gods, then etched them upon cave and rock drawings. Such icons still breathe fierceness. There’s much to learn here.
The seasoned artists at this gathering who have mastered their craft, suggest submersion into the waters of Life. To express their passion, they’ve overcame obstacles, endured ridicule, and scrimped and saved to support themselves. Their hand-crafted ware triggers potential artists to do similarly. And because of this self-imposed discipline, they’re willing to teach others.
The weaver, a Native American with strong knowing hands, suggests God in disguise, a critical life teacher who will help me weave together the final version of my odds and ends, still to be incorporated into the Elizabeth of my birthright.
I’m a work in progress …
Nothing like a folk tale to engage imaginations and enlarge the world around us—Such is the Brothers Grimm’s Town Musicians of Bremen (1819), still enjoyed by young hearts, six years old or ninety.
The story begins with an aging donkey, decrying his master’s displeasure over his slowness in pulling the cart to market. Rather than face probable death, the donkey flees to Bremen where he will become a musician.
On the road he meets a weary dog, fire thinning his bones. No longer able to hunt, he fears being put down by his master. But the donkey’s invitation to make music sparks his interest and he climbs onto his back.
Next they meet a cat with a face “like three rainy days.” She fears her mistress’s
drowning, because blunted teeth prevent her from catching mice in their cottage. She, too, joins them.
Then a rooster crowing with all its might causes them to pause along the road. They learn that cook will cut off his head and prepare him for tomorrow’s dinner. He, too, welcomes the invitation and they continue on toward Bremen.
Although the story contains other adventures, I want to focus upon the four friends, so human in their fears of aging and the specter of death. Happily, the donkey sees beyond his fate and chooses an alternative: making music for others. So inspired he is that others choose similarly and climb onto his back and head for Bremen where everyone loves music.
It’s about discovering and developing meaning in life that keeps us fresh—even living with a terminal illness. I have found it so.
Heart Whisperings 