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Only the whir of the potter wheel licked the stained walls of the studio as an apron-clad artist cupped a mound of clay slip with wet hands. Next to the wheel laid scalpel-like knives, sponges of various sizes and textures, wires strung to handles, other cutters, twigs, and leaves. But the potter’s sensitive hands, sinewy and dripping wet, caught my attention: He seemed to know when to pause, slow the wheel, add more clay, etch designs upon the lip, indent patterns, and so much more. With others, I looked on, hushed by the emerging bowl taking shape on the wheel.
After the potter slip-wired the bowl from the wheel and set it aside to dry, he focused upon his students and smiled. “You can do this too. It just takes practice—That’s why I’m here.” That was years ago.
Then, as well as now, this experience mirrors Potter God’s ongoing intimacy in bringing forth new life, within limits of time and space. Like the hollow in the earthenware bowl, my body of eighty-six years has held a treasure—despite chronic disorders. Light always emerged and I did find my way, albeit with new direction and resolve.
At some future moment, Potter God will slip-wire my body from the wheel of life and set me free from my present diminishments. Until then, I wait and pray… and ask you to do the same. I’m grateful.
It was 1957. Near midnight, shivery blasts rattled the convent’s double casement windows and dumped mounds of snow upon blue spruces and towering oaks. Swirling, cracking, snapping sounds rubbed against the erstwhile silence and quickened the steps of hundreds of black-laced low-heeled shoes along the long hardwood floors, polished for the occasion: New Year’s Eve. The swish of long black choir cloaks fastened at the chin heightened the drama.
Further ahead, I made out the great doors of the Gothic chapel opening out to the older nuns who bowed before the Superior, toed the wooden kneelers of their choir stalls, knelt down, and opened their libers. As the procession inched toward the chapel, steam sizzled from occasional radiators affording oases of warmth.
Four months into my postulancy in the noviceship, I watched, bug-eyed, so as not to make a mistake. Finally, I opened my liber with the others and waited for the pitch pipe’s tone from the Mistress of the Choir. After I adjusted my wool skirt on the kneeler, I gazed at the sanctuary, where thick beeswax candles shadowed the altar and other furnishings.
Then a short beep signaled everyone to grab their opened libers and stand facing each other as the Miserere was intoned, a psalm pleading God’s forgiveness for sins committed in the year, 1957. Then, followed another ancient Latin hymn, the Te Deum, heartfelt thanksgiving for its graces.
Just as the tower bell gonged midnight, the Jesuit celebrant began Mass, in union with the praying church all over the world. No matter the blight of racial integration in our country, no matter Sukarno’s expulsion of the Dutch from Indonesia, no matter the world’s excesses—deep Peace’s embrace revealed another realm and we were in it.
I’ve never forgotten that night.