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“There is a season for everything, and a time for every occupation under heaven: a time to be born and a time to die,” a declaration attributed to Qoheleth, a sage by profession and a Palestinian Jew living in the third century BCE. Qoheleth and others developed the Book of Ecclesiastes as a corrective to counter the empty philosophies of Stoicism, Cynicism and Epicureanism that had vulgarized life in Israel and eviscerated traces of the Sacred. Life was empty; knowledge, virtue, love illusory.
Yet, a sense of the Sacred permeates this short book, sacralizing the totality of life: its impetus, Creator God and no other.
Fast forward to the present. Despite later prophetic utterances, even those of the God-Man Jesus of Nazareth, not much has changed, save for solitaries harboring the Sacred within their depths, save for some churches whose Spirit-filled members give thanks and serve with joyful hearts—such is my perception.
I return to yesterday’s green flag and my continuing eligibility for receiving hospice care— “Six months or less to live,” I was told. Others have judged the proximity of my physical death, as if Creator God has no say in the “work of his hands.” The obsession to conform to Medicare’s rules and regs, constantly under revision, keeps the sickened system contorted beyond fixing. The specter of this fiscal dragon continues sprouting new fire-spewing crowned-heads, terrifying its work force.
Qoheleth was more than accurate when he declared “a time to be born and a time to die.” No health care executive can make this decision for me. I belong to Another.
Nothing like a folk tale to engage imaginations and enlarge the world around us—Such is the Brothers Grimm’s Town Musicians of Bremen (1819), still enjoyed by young hearts, six years old or ninety.
The story begins with an aging donkey, decrying his master’s displeasure over his slowness in pulling the cart to market. Rather than face probable death, the donkey flees to Bremen where he will become a musician.
On the road he meets a weary dog, fire thinning his bones. No longer able to hunt, he fears being put down by his master. But the donkey’s invitation to make music sparks his interest and he climbs onto his back.
Next they meet a cat with a face “like three rainy days.” She fears her mistress’s
drowning, because blunted teeth prevent her from catching mice in their cottage. She, too, joins them.
Then a rooster crowing with all its might causes them to pause along the road. They learn that cook will cut off his head and prepare him for tomorrow’s dinner. He, too, welcomes the invitation and they continue on toward Bremen.
Although the story contains other adventures, I want to focus upon the four friends, so human in their fears of aging and the specter of death. Happily, the donkey sees beyond his fate and chooses an alternative: making music for others. So inspired he is that others choose similarly and climb onto his back and head for Bremen where everyone loves music.
It’s about discovering and developing meaning in life that keeps us fresh—even living with a terminal illness. I have found it so.
Heart Whisperings 