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Steal away, steal away, steal away to Jesus,
Steal away, steal away home,
I ain’t got long to stay here.
So opens the Negro spiritual sung by the Fisk Jubilee Singers from Nashville’s Fisk University. Within its plaintive melody glints the souls of the oppressed.
The spiritual was first heard around 1862, sung by the enslaved Wallace Willis, sent by his Choctaw freedman owner to work at Oklahoma’s Spencer Academy, a boarding school for the forced assimilation of Choctaw boys. The listener was the school’s superintendent, the Presbyterian minister Alexander Reid, also a trained musician. He perceived this spiritual and others “Uncle Wallace” had composed as far superior to the repertoire that the Fisk Jubilee Singers were taking on tour at that time, and he later sent them copies. Acclaim met their performances in this country and abroad.
Whatever the origins of Steal Away, its lyrics speak of huge yearning for deliverance from oppression, only found in the saving power of Jesus.
Whether the spiritual had been previously used by enslaved blacks as a code for escape or for secret meetings, whether remembered by “Uncle Wallace” from his experiences confined to his Mississippi plantation, I was unable to discover.
Still the heart-cry echoes of the afflicted around the world:
My Lord, He calls me
He calls me by the thunder
The trumpet sounds within-a my soul
I ain’t got long to stay here